Come my children, gather ’round. Let me tell you the story of Jake Tarbox. A man who tried to reach out to the serious manga fans and revolutionized the industry in the US. Yet somehow he always ended up on the losing end.
Let’s begin our story last week. I had just seen the first DVD of Tenjho Tenge at Anime Boston, and I got really interested in the series. I was considering my options, and thought that I should go out and pick up the first volume of the manga. Now, everybody now knows that when you hear the title “Tenjho Tenge”, the first thing that comes to mind would be “censorship.” But was the censoring really all that bad? Is it worth boycotting a series that I really want to read? So I did my research and took a good long look at the Campain for Uncensored Tenjho Tenge website. There was one man in particular that they said everyone should voice their concerns to. He was the group editor for CMX, Mr. Jake Tarbox.
Tarbox… I know I’ve heard that name before. That’s really not something that a person would forget. So I thought about for a while, and then I remembered who he was…
Flash back to November 2002. For the first time in US manga history, manga anthology magazines hit the stores shelves in “authentic” right-to-left format. Fans were treated to not just one, but two very different magazines to chose from. The first would be Shonen Jump, a magazine from big name VIZ that was fortunate enough to feature some mainstream titles like Dragonball and Yu Gi Oh. All the titles were all action, and it generally catered to the pre- to early adolescent crowd.
The second one was from a newcomer to the industry, Gutsoon! Entertainment. The magazine was called Raijin, and it was meant for mature hard-core manga fans. It serialized a variety of titles from different genres. Some of them were popular (City Hunter, Slam Dunk, Baki the Grappler) and some of them were very obscure and unknown (First President of Japan, Bow Wow Wata). The idea was that they had something for everyone. But the best part about it was the fact that it was WEEKLY! That’s right, every week came another chapter of your favorite series. When you subscribed to this magazine, you really felt like you were living in Japan.
But another great part to the magazine was the editor, Jake Tarbox. He wrote most of the articles that were featured every week for the magazine. One of them was a very fun piece about Japanese sound effects and how they relate to English ones. Each article included an anime portrait of himself like looked shocking like a balding version of Tombo from Kiki’s Delivery Service. The inside joke with the pictures were that his receding hairline would get more and more profound with each issues. But aside for that, he also kept in close contact with the readers by frequently participating in the magazine’s web forums. He held many contests and were very easy to win. Case in point, I won two different posters, a mini figure, and a Raijin t-shirt that I still wear to this very day.
But the magazine was just too much for the average manga fan, and the company slowly started to deteriorate. At first they switched from the weekly format to monthly. Then they just ceased production of the magazine and graphic novels all together. I was very sad when I received my refund check for a subscription that never finished. They said that they were just on hold to rework the magazine, but news got out that the staff members like Tarbox were now without a job. And with the resent loss of the magazine’s website, it appears that Raijn is gone for good.
But Mr. Tarbox was able to find work not long after the magazine went out of production. American comic company DC got into the manga market with new line called CMX. They gave Tarbox the title of Group Editor. Unfortunately CMX wasn’t exactly producing chart toppers, and it appeared to be going down the same root that Rajin did a year ago. And then came the whole Tenjho Tenge controversy, and Mr. Tarbox quickly became the scapegoat for outraged manga fans around the US. However, I remember the awesome editor from Raijin that took his time to talk with the fans about what they thought of the magazine and manga. I remember the guy who helped me get a better understanding of the confusing nature of Japanese sound effects. I remember the balding Tombo. So last week I began to put my faith in Mr. Tarbox. I knew he would be fighting for the fans side and eventually would make a difference in the Tenjho Tenge issue.
Mr Tarbox resigned from his job just the other day, and I believe that this shows what his struggle was like with that company. The article says
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“[…] Tarbox himself did not make the decision to edit creator Oh Great!’s (Ou Gureito) work to be suitable for a PG-13 audience, but did find himself in the position of having to implement it, which was strongly opposed by many manga fans. […]
DC never responded to fans’ questions or Newsarama’s requests for clarification on the editing of the book.
For his tenure at CMX, Tarbox was something of an enigma publicly – all interview requests for the line’s Group Editor were turned down by DC […]”
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You can form your own conclusions about it, but from what I remember of the man, I strongly believe that he was fighting for us the whole time. So I think we owe it as manga fans to pay more respect to him. He wasn’t the man to blame for manga censorship. He was the man who tried to satisfy the most serious manga fans. Unfortunately, the goal was a little too high, and the mainstream has washed that dream away. But I for one admire and support him, and I hope he doesn’t give up on fighting for us.