A weekly look into American otaku culture

This blog has been moved to AnimeAlmanac.com

Please update your bookmarks and check out a new post every week on the new site.

January 6, 2008

Introducing AnimeAlmanac.com!

Hey everyone!

At the start of the New Year, my new site AnimeAlmanac.com went live. Along with having a much better url, the new site also includes a complete redesign to best reflect the new “weekly essay” format. For the more tech-savvy, this also means a complete translation from a JSP-based Wordpress version 1 to the PHP-based Wordpress version 2.

Blogsome has been a great provider for the past three years, and I’m glad to see they are still in business and still providing the same great service for free. However, the Anime Almanac needed a major upgrade, and I figure the best way to do so is to just start all over from scratch.

Please change your feeds and links to the new site. Last week’s post will be last to appear under this url. Within the next couple of weeks, I will be posting a notice on every page with a link to the new site.

I hope you will continue to enjoy the Anime Almanac at it’s new home. I will try my best to update every week (typically on Wednesday) with another look at being otaku in America today.

January 2, 2008

Manga Sutra and Why Scott Needs to Check Out a Sex Shop

Scott continues his series of posts from the New York Anime Festival.

Manga Sutra

“So you mean to tell me that I can only find this book on Amazon?” I ask Tokyopop’s marketing person. The book in question was Manga Sutra, originally called Futari H in Japan, and it is a title I have great interest in.

“Well no. You can also buy it at sex shops,” she tells me as if it was no big deal.

“Yeah… well…” I give a slight blush over this idea. I picture a darkly lit shop with various phallic objects, leather straps, and tubes of lubrication. “I don’t think I’ll be going to any of those anytime soon…”

“Really?” asks an older female journalist as she joined in the conversation, “You really should. It’s a real groovy time.” The two girls then broke into that “Oh! You’re so bad!” giggle, leaving me to blush some more and move on to my next question.

However, this was a very important point that I don’t think should be brushed over quite so easily as that. When Tokyopop announced that they were going to be releasing the series in America, I was happy but very skeptical on how they were going to treat it. The story takes a somewhat realistic look on sex, taking away the fantasy elements you’d find in pornography and instead focusing on the difficulties one would find in the act. It’s this unique approach to the subject that has made this series the huge success that it is in Japan.

But sex is still a very taboo subject in America, especially in a time when the government focuses on abstinence programs and when the whole nation goes into shock if a bare breast is exposed on national TV. I had my doubts that a successful company like Tokyopop would risk their reputation on bringing such a mainstream sexual comic so casually into our market. And sure enough, I was correct.

Manga Sutra will not be sold in bookstores like Borders or Barnes & Noble. Instead, the only way you could find it is by going online or, as the rep very causally told me, going to a sex shop. True, they say that normal book stores would never sell such a book, but the impression I’m getting is the publisher didn’t even try to put any pressure on the stores.

This makes me wonder to Tokyopop:

Who the hell is going to be your target audience with this series?

In Japan, manga is mainstream enough that you can sell this book to a non-otaku market. For example, take a young college girl who just so happens to overhear her girlfriends talking about the series. This girl probably hasn’t picked up manga since her shoujo days, but the curiosity and allure of sexual performance makes her stroll into the “young men” section of her regular book store and check out a volume. Maybe if she’s too embarrassed to do that, she’d pick up the two exclusive “For Ladies” volumes in the female section of the store. There’s nothing that unusual about this, and I’m sure that’s how this book has sold as well as it did in that country.

But in America, only a manga fan would ever consider reading this in a comic form. A college girl who is not a manga fan would never start because of the subject. One company very clearly said at the convention, “You can’t convince people to start liking manga. They have to fall into becoming fans themselves, and then you can start to appeal to them after that.”

But manga fans are clearly not the market that Tokyopop is going for. By not fighting for it to be in the same area as their other works, they are sheltering all exposure of the title to their biggest potential audience. Manga fans who are not already familiar with the title will never have a chance to see it, and fans who already like the title (like myself) are going to have a hard time finding it.

Instead, they are trying to appeal to the a “sex shop” audience, which is a subculture all its own that sure as hell is not made up of many geeky manga fans. These people are very outgoing exhibitionist, even by the mere fact that they would be seen in a sex shop. They might be curious about the book, but they will quickly realize it’s not for them.

The sex shop audience are already very familiar with intercourse, and probably have already read the many sex guides already available. There is nothing in Manga Sutra that they don’t already know. In fact, they might even consider it boring and completely inaccurate in most cases. Manga Sutra was not made for highly sexual people. It was made for people unfamiliar with it or are still trying to get used to it. So I will be shocked if this book manages to find a market in American sex shops.

So who should Tokyopop be targeting with this title? First of all, the obvious answer is manga fans. You should never try to go outside that demographic with any comic. But along with the college-age audience that it was originally intended for, I think that Tokyopop should also go for the American teenage audience.

There is a big problem with hiding teenage sexuality in this country, and many teens have no choice but to turn to pornography on the internet to find answers and to satisfy their needs. But Manga Sutra could serve as a good alternative to this. It provides a story that is entertaining, funny, and very erotic, which should appeal to any teenager. It also portrays the lead characters as being in a healthy, loving, and most importantly, monogamous marriage. This is something you will never find in pornography but serves as a role model for proper relationships. Since safe-sex and condom usage is not nearly as common placed in the US as it is in Japan, more information would have to be added in the US version on this. But all in all, this would be a very positive book about sex that teens will actually want to read.

But this is all just a liberal fantasy from an otaku wishing that one of his favorite series finds success in America. Ms. Tokyopop Marketing had an advance copy of vol. 1 at the convention, and she generously allowed me to look through it. Each volume of the book in the US is comprised of two volumes of the Japanese version, so it was quite large for a comic. After years of reading the series in Japanese, it was nice to finally see it in English, and in very nice quality as well.

I should enjoy it while I still can. Tokyopop says that they only plan to sell five volumes in America (which are volumes 1-10 in Japan), and then they will decided what to do with the rest of the series after that. I have a feeling we’ll be lucky if the series even makes it that point…

Volume one comes out next week. I’ve already reserved my copy on Amazon since I don’t find myself looking for it at a sex shop anytime soon.

Tokyopop is really screwing up with this one. They are keeping the lid on this series to the manga fans while marketing it to an audience that will never buy it. It could have had some potential, but not like this. Manga Sutra is doomed in America, and that’s a real damn shame.

December 26, 2007

Adult Otaku, When Does it Start Getting Creepy?

This is a first in series of posts focused on my experiences and thoughts on the first annual New York Anime Festival, which took place on Dec 7-9, 2007.

It happened to me at the MangaNext convention a couple of months ago. It was a small convention compared to Otakon or the NYAF, so I decided not to take a vacation day from work and only go to the Saturday events.

As I walked through the narrow hallways of the hotel, I felt very uneasy. I was becomeing very annoyed with the other attendees, and I knew it wasn’t because of all the ugly, poorly-made Naruto costumes.

They were loud, screaming to each other in the small hallway. They were annoying, complaining on-and-on about how one anime character was not nearly as cool as another. They were rowdy, running in the hallways and “glomping” complete strangers. I felt like just telling them all to calm-the-f***-down!

But then I realized they were otaku kids. That’s what they do. This was their chance to be away from school and just goof off with their buddies, blow off that teenage angst and whatnot. I remember what it was like to be like that.

But if I can realize this and still be annoyed by their wild behavior, then that must mean… that must mean…

I’m getting too old for this!

orz

Sure, I’m only 23, but half-a-year of the post-graduation life has put me way beyond the level of these kids. I’m doing a 9-to-5, paying rent, and I simply do not have the same energy I did before. Not that there’s really anything wrong with that. There’s no way in hell I would ever go back to the life of studying and exams. But looking around at my fellow convention attendees, I felt that there was no way I could ever consider them “peers” of mine.

Am I past my prime when it comes to going to anime conventions? Was I starting to become one of those guys?

I have always been fully aware of the creepy older people that would show up to these events. They were typically male, over weight, and balding with grey hair. Most of them would be carrying a tripod and camera, and snapping off shots of the underaged girls in sexy cosplay. How completely sick and pathetic! There they were, sticking out so much among the youth. l just can’t help but to be disgusted by them.

Was I turning into one of those guys? Was my presence at these cons starting to become creepy?

This realization really put a damper on my MangaNext experience, and it was a real fear I had going into the NYAF.

I did take a vacation day for the NYAF and attended the convention when it opened on Friday. My friend was not going to be able to come with me that day because she was still in college and had an exam to take. In a way, this should have been a good indication of things to come.

Even though it was a much larger convention, I didn’t feel nearly as overwhelmed as I did at MangaNext. I was able to walk around the entire floor with no problems. There was no running, no screaming, no glomping, just a peaceful and enjoyable experience. And I know just why that was:

There were no kids!

It was a Friday, a school day. All the kids were still at school! The attendees that were able to show up were all adults like me. Most of them were professional journalist, writing for the Anime News Network or Publishers Weekly. But others were just hobbiest, taking in the panels and discussions without the flood of attention craving youngsters. I ended up having some serious discussions with the other attendees.

The kids came on Saturday and Sunday, but I knew to stay away from the general hallway and stick with the professional media at the panels. This is where I felt more in my place. I loved this audience. These were finally the folks that I could call my peers.

With the social awkwardness that you often find in otaku, you can see how easily one would lose sight of what’s appropriate and not-appropriate for their age. There’s not a more pathetic scene than the balding overweight man being surrounded by hyperactive teenagers. But there is still a place for adult anime fan in the convention scene without it being creepy. Stick with the professionals as the discussion panels. They actually do talk about very interesting things that will keep away the ADD youngster.

And please, never ever go around taking photos of underaged girls in sexy cosplay… that’s still very wrong on so many levels.

::shutters in horror::

December 19, 2007

ADV on the Right Path with Online Streaming Service

I’ve had a running theme with this blog over how disgusted I am with anime fans who only watch illegal downloads, and how I wish anime companies would look for a more creative way of reaching out to this market. So when ADV quietly announced their new Anime Network online streaming video service, I thought it was best news to come from the industry since the launch of the Tokyopop’s “Authentic Manga” line.

I’ve been enjoying the service for about a month now, and last week sent out an honest email to ADV on how I think the company can improve on it:

Great service you’re offering. Since I do not have cable service at my house, and since I only use a Mac computer, my choices are very limited when it comes to viewing TV content legally over the internet. I rely heavily on NBC’s Hulu.com and the Adult Swim Fix streaming service. As a devoted anime fan, I can’t tell you how thrilled I am that you’re offering a similar service.

Based on my experience with these other services, here are the things I notice are missing from your service. I feel that these are huge problems that can dissatisfy the user and drive him away forever. They should be fixed ASAP.

1) You need a full screen mode. Keep all the ads in, but if you’re going for a market of people used to watching anime on their computer, no one wants to be restricted to such a small part of their screen.

2) Episode needs to auto-play after commercial break. The user starts the episode and then sits back to enjoy it. Can you imagine how annoyed they get when they have to get up half-way through the episode to click on the “play” button again? Makes us even more pissed off about ads… (-_-)…

Now here is the long-term fix that you should implement on the next version of your player:

3) Dub and subtitle support! Like a DVD, your flash animation should incorporate a video stream, two language tracks (English and Japanese), and a subtitle overlay. This would put you far above what normal fansubs can offer, and win over so much more of the market you’re aiming for.

Again, I love the service you are offering, and I think it could be highly successful if you fix these problems I’ve noticed with it.

Days after I sent this email, ADV makes a huge announcement of a relaunch of the service with the promise to make brand-new shows available for free. They’re using the newest Studio Gainax show, Gurren-Lagann, as their flagship title.

So how much does this relaunch improve on the first iteration of the service? Well, in my email, I suggested two easy fixes and one slightly more difficult fix. Did they fix them?

Easy fix #1 - Nope, there is still no full screen mode.
Easy fix #2- Nope, you still gotta manually press “play” again
Difficult fix #3- Actually, yes! Sort of…

Gurren-Lagann is subtitled, but the crazy thing is that it’s soft-subtitle! That means that the user has the option of turning the subtitles on or off via a button in the control panel. This is a unique function that you don’t normally find in flash video players or even in most fansubs. But this is the kind of innovation that can pursued the illegal download to switch over to legit methods.

There is currently no dual-audio support for Lagann, but I’m sure that is because it has not been fully dubbed yet. The subtitling proves that someone over at ADV has the ability to create a flash video player that’s not just another Youtube clone. I can only hope that we start seeing some dual audio content pop up on the service very soon.

So kudos to ADV for sticking to their streaming service and finally bringing some innovation to the industry. There are still some easy fixes that should be made as soon as possible, but they are still on the right path to success anyway. I hope to anime fans embrace this new service so that more advancements can be to this wonderful medium.

December 17, 2007

Return of an Anime Blogger

Hello everyone! It’s been a while, has it?

Well I’m back, so let’s party!

Through out its three-year life, this blog has gone through major periods of inactivity because of school work. Right after I graduated from college, I did have about a month of updates before I was hired for a full-time software engineering position in a small startup company. Coincidentally, during my job interview, my future co-workers talked about this blog because it was the first thing they saw after doing a google search of my name. Boy, did they come at a good time… ^^;

Since then, my life has been busy with the whole “moving out and living on your own” experience. Getting my own apartment, paying my own bills, pimping out my bachelor pad with an Xbox and big-screen HDTV, and adopting two very cute kittens, Tiger and Nekomimi.


Any responsible pet owner should make sure that his pet only watches the best quality anime

But I haven’t stopped being the anime fan that I was before. I’ve still been keeping up-to-date on the latest news from the industry. I’ve been watching a couple of new fansubs every season, and I’ve been buying all the best new DVDs to hit state-side. While I chug away at work everyday, my iPhone is constantly playing some sweet Mosaic.wav into my ears. And I have also been corresponding with many Japanese otaku via the website Twitter.

Apparently they find a white American otaku to be some kind of novelty… ::shrugs::

But I still feel very disconnected from the American anime community. A lot of stuff has gone down in the past month that I feel must be addressed. Sadly, most of my audience these days does not speak English, so I’ve been very limited in what I can say and express. So I’m getting back to doing what I love doing, pondering and talking about American anime fandom via the Anime Almanac. I can’t promise I’ll be around for the long haul this time, but I will try my best to pace myself well enough to at least have one post every week.

… provided I’m not prevented from typing due to uncontrollable circumstances

For my next couple of posts, I will talk about my experiences at the New York Anime Festival last week. You can expect to hear my thoughts on the new con, graduating from being a school kid to a working adult at these events, the Manga Sutra, those assholes at Bandai entertainment, and other things.

Thanks to everyone who still has me linked on your blogroll. I will try to update my own blogroll for you all.

To my past readers, thanks for your support and I hope you’ll enjoy my rants again.

To new readers, welcome aboard. I hope you like what you see.

June 20, 2007

“Congratulations Tony!”

Just a little food for thought, I was just watching a review of the final episode of the Sopranos. The reviewer’s opinions seemed to reflect what a very vocal majority of the show’s fans have been saying:

“I’ve invested this time in it to see what happens to the characters. […] I wanna know what happens to these characters. I like these characters. I wanna know if he gets shot. I wanna know if he goes to jail. I wanna know what happens to the family. That’s why I was watching this show […]. Not to have somebody tell me some sort of philosophical [lesson]!”
Source: Totally Rad Show

Boy, doesn’t this all sound familiar?

The way I see it, we’re going to have two Sopranos movies on the way. One is just going to be a recap of the show’s seven seasons, and the 2nd movie will be a retelling of the show’s last two episodes. It may or may not involve the destruction of the human race.

Though I have a feeling that there will be many more expletives than Tony simply saying, “I’m so fucked up.” ;-)

June 17, 2007

Futari H Coming to America, but Can We Handle It?

My favorite “manga series only available in Japan without a chance in hell of making it over to America” is now going to be released in America. I am thrilled but still a little skeptical on this news.

Futari H is the centerpiece of Katsu Aki’s career. You might know this artist from his other releases in America, mainly Psychic Academy and the Escaflowne manga, but they just fail to compare to the success of Futari H. With 34 volumes of the manga out right now in Japan, H is still going strong in its monthly serialization in Young Animal magazine.

Futari H is the story about the sex life of a newlywed couple. They are both age 26 and still virgins when they become married, and so they must work together to figure out the surprisingly complicated procedure that is intercourse.

Unlike what many would call “hentai” manga, Futari H looks at sex through a very realistic view. It deals with the problems one will encounter in the act which often get overlooked in other adult comics. For example, the man struggles with premature ejaculation early on in the story. The book fills itself with tips and suggestions on how to improve one’s sex life while also listing statics such as the ratio of age in relations to frequency of intercourse.

Quite simply, this book teaches the reader the ins-and-outs (pun intended) of sex while still having a sweet, funny, and very erotic story. It is a quality title unlike any other manga out there, which is why it has become so popular in Japan and is a personal favorite of this blogger. So I am excited to know that this title will be making its way to America. But is America ready for it?

If you notice in the Amazon listing, Tokyopop is renaming the title “Manga Sutra”, which I think is a wise move on their part. The name Futari H is a play on the Japanese word for masturbation, which is why the title can never be translated into English. I’ve always said it can be translated as “sexurbation”, but that doesn’t sound good, does it? “Manga Sutra” is a great way of telling the audience that the comic is more of a guide to sex instead of just being pornography.

What isn’t going to be good, however, is the backlash that is going to come with releasing this title in the US. The reason why I said this story would never make it to America is because Americans cannot handle sex that well. While it would be okay to have an insanely violent comic imported to America, a sexual comic could only be released in some adult book store. I wonder if big-named bookstores like Borders and Barnes & Noble will refuse to carry the book since it is so explicitly about sex. If these books are not sold in the same location as other Tokyopop titles, then it is bound for failure.

Perhaps the price tag is some indication on how this title will be treated differently from others. Amazon lists the book at $19.99, about double the price of a normal Tokyopop title. Hopefully this will mean that each volume of the US release will be actually be comprised of two volumes of the Japanese release. This could be a very good plan to cut out a 34+ release schedule to only 17+ volumes. Or maybe the books will be bound in some kind of black hard-cover, adding to the illusion of it be being a “sexual bible” like the Karma Sutra.

However, the price increase could also be because Tokyopop is anticipating low sales of the title, and they need to increase the price for it to become profitable. Having a book not sold at Borders, being twice as expensive as a normal book, and knowing that there is at least a 30-volume commitment to the series will kill this release even before it hits the shelves.

I am very worried about this release. It could be revolutionary and show America how manga can actually be used to teach serious material. At a recent job interview, my interviewer was telling me how the best business education book he ever read was in manga format. Having a sex guide manga could be a huge success.

On the other hand, this could just be another great manga title that will just fall into obscurity because America just wasn’t ready for it. You can bet that I will be keeping an eye on what Tokyopop says and how it handles the release of this title through out the rest of the year.

Here’s hoping that they make the right choices.

June 5, 2007

Pika Pika Yukai - Best Haruhi Dance Yet!

This clip hit Japan not even 24 hours ago, but I think this is probably the best Haruhi dance ever made!



http://www.youtube.com/watch?v=OVh-hBPdRyo

There is so much win in this that it should be made illegal!

Link to original (and lag-free) video from Nico Nico Douga. WARNING: Site is in Japanese and registration is required.

May 31, 2007

Manga’s US Release Canceled Due to Pedophiliac Worries

ANN reports that Kodomo no Jikan, renamed Nymphet for its US release, was canceled due to outcries that it was too pedophiliac. The comic is a comedy about a elementary school girl who attempts to sexually seduce her school teacher. The humor comes from the fact that the teacher is normal and wants nothing to do with the girl’s advances.

He explains that the “primary reason for canceling Nymphet is due to [his] recent realization that later volumes in the series can not be considered appropriate for the US market by any reasonable standard.”
Link

Of course it’s not appropriate for the US market! Hell, we never have comedies that deal with kids doing adult things like having sex with their teachers… (-_-)

Some people in our country really need to pull that stick out of their ass…

UPDATE:Otakuismhas a good write up on the topic along with a sample page of the comedy that is “too hot for USA”.

May 29, 2007

Movie Review - Paprika

First of all, I have to admit that I am a huge fan of Satoshi Kon. He is probably my favorite anime director, and I consider his movie Millennium Actress the greatest film ever made. So it is only fair to say that I had a very high opinion for this film since it was first announced, and that this review will probably reflect that.

Paprika is Kon’s first fray into the science fiction genre. This is a story about a psychologist, Dr. Atsuko Chiba, who is able to explore her patients dreams thanks to new technology. She turns into her alter-ego, the cute and bubbly Paprika, within this dream world as a form of mental treatment. But then things go out of control with this treatment, leaving Chiba and her research team scrambling to locate the cause of the problem. As the dream world starts losing its stability, it begins to leave behind victims in the real world.

A trademark of a Satoshi Kon film is his ability to skew the line between reality and fantasy, leaving the viewer unable to distinguish between the two during some scenes. While this technique has been used to show mental instability in the past, it is used in this film to show the Freudian idea of hidden desires being exposed through dreams. Since the viewer is aware that these surreal elements are dreams, there is far less confusion and anxiety with understanding this film as there was in Perfect Blue and Paranoia Agent.

But since they are dreams, there are many beautiful images and symbols that speak so much about the Japanese and human psyche. One could just spend an entire viewing of the movie just trying to analyze the meaning behind the imagery. A parade of frogs, maneki nekos, dolls, action figures, shinto arches, and many other objects march throughout the dream world like a scene from a Studio Ghibli nightmare. One particular funny image is a group of cell phones representing high school girls, and another line of perverted camera phones taking “upskirt” shots of the school girl phones.

The movie has a very surreal but pretty techno song that plays during the film’s introduction and through out the climatic scenes. This adds to atmosphere of the piece while at the same time being very pleasant to the ears. You can hear this song being played in the film’s trailer, which is available here in HD and on the film’s website in flash.

Like Kon’s other works, the story is still a little difficult to understand during first viewing, which will have the viewer scratching their head as to what’s going on. But in the film’s final act, the story comes together into a reasonable and understandable ending.

So while this is not the best film that Satoshi Kon has ever made, fans of his will find Paprika to be worthy addition to his collection. Using surreal images to skew the worlds of reality and dreams, he provides a fantastic commentary into the psyche of the human mind. Newcomers may find a film incomprehensible and too weird for their tastes. But understand that this is a art-house film, and so should be considered as one going into it.

Paprika is currently being shown in New York City, and will open in LA this Friday. Check out the film’s website for more information on where and when you’ll be able to see it.

"The Anime Almanac" is Written and Maintained by Scott VonSchilling, Art by Jennifer Pucci
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